![]() ![]() Ayesha Harris and Michael Hsu Rosen share an immediately likable chemistry as Britt and Ben, two product design besties who spend most of their time at work teasing each other about their office crushes. ![]() Some of the supporting cast transcend the flimsy, tell-don’t-show dialogue through the sheer force of their energy. ( Does it make sense for a company to still be brainstorming Pride ideas in mid-June? Could a really good Pride campaign singlehandedly turn around the trajectory of a flailing company? Is it actually true that no luxury cosmetics brand ever has so much as tweeted about Pride? Who knows? Not me!) The series can be funny when it’s poking at the self-absorbed personalities populating the beauty industry, like a social media maven named AlyssaSays (Lisa Gilroy), who, predictably, starts most of her sentences with “Alyssa says.” And it’s most thoughtful when it’s railing against the cynicism of corporate allyship - though the supposedly more meaningful Pride campaign that the Glamorous staff eventually come up with hardly seems like much of an improvement, and though I kept getting distracted by the head-scratching logistics of the whole project. Still, there are hints scattered throughout Glamorous of the sharper, bolder series it had the potential to be. Its visuals, meanwhile, are striking in a bad way: Director Todd Strauss-Schulson rivals mid-2010s J.J. At other points, the show brings to mind a less snarky Glee or a less frothy Emily in Paris or a less earnest Love, Victor - which is to say a show that doesn’t really have a distinctive feel at all. It’s as if The Devil Wears Prada were about how Meryl Streep and Anne Hathaway were actually super cool people who deserved the undying gratitude and admiration of every single one of their colleagues. But Glamorous seems oddly reluctant to portray Madolyn in any remotely negative or teasing light, even as the office around her tips occasionally into satire. Madolyn fares slightly better, as Cattrall’s naturally outsized presence makes it easy to see her as the untouchable glamazon the other characters make her out to be. Say it back,” is his cloying sign-off both online and IRL.) What might be cute within the confines of a two-minute makeup tutorial becomes considerably less endearing when stretched out over a ten-hour season that grants Marco plenty of room to make the romantic and professional blunders you’d expect of a 22-year-old, but displays precious little interest in delving deeper into the more complicated facets of his psychology, or in reckoning with the minor messes he leaves in his wake. As played by Miss Benny and written by creator Jordon Nardino, Marco comes off less like a fully realized individual than a collection of TikTok-ready soundbites and catchphrases. It’s a perfectly fine premise, but from the jump, the execution feels off. ![]() Marco, Madolyn hopes, will be just what her luxury brand needs to get out of its rut. Because it doesn’t just touch your face, it touches you,” he gushes), he’s secured himself an offer to work as her assistant. One fawning speech later (“This is more than just paint or glitter. His fortunes change suddenly when Madolyn herself (Kim Cattrall) happens to drop in. Its protagonist is Marco (Miss Benny), a young queer man who aspires to be a beauty influencer - though with a follower count in the triple digits, he really earns his money working the Glamorous by Madolyn makeup counter at a New Jersey department store. Cast: Miss Benny, Kim Cattrall, Zane Phillips, Jade Payton, Michael Hsu Rosen, Ayesha Harris, Graham Parkhurst ![]()
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